‘MIRACULOUS CONCEPTION 1: MARY MOTHER OF LORD JESUS’, 48″ x 32″ integrated hand carved frame. Contact studio for images in frame. The Miraculous Conception paintings, reflect a few of the women throughout history who are believed to have conceived a child through divine intervention. The similarities in the paintings call the viewer to challenge their own beliefs, to contemplate what ones culture deems blessed or profane and where the distinction actually resides.
‘MIRACULOUS CONCEPTION 2: DEVAKI MOTHER OF LORD KRISHNA’, 48″ x 32″, set in integrated hand carved frame, contact studio for images in frame. The Miraculous Conception paintings, reflect upon a few of the women throughout history who are believed to have conceived a child through divine intervention. The similarities in the paintings call the viewer to challenge their own beliefs, to contemplate what ones culture deems blessed or profane and where the distinction actually resides.
‘MIRACULOUS CONCEPTION 3: MAYA MOTHER OF LORD BUDDHA’, 48″ x 32″, set in integrated hand carved frame, contact studio for images in frame. The Miraculous Conception paintings, reflect upon a few of the women throughout history who are believed to have conceived a child through divine intervention. The similarities in the paintings call the viewer to challenge their own beliefs, to contemplate what ones culture deems blessed or profane and where the distinction actually resides.
‘GOOD NURSE OF THE NORTH’, 51″ x 35″, acrylic on canvas. The same woman resting in a different chair met by the dramatic distinction of our perspective. The happenstance of where we sit on the earth, the random call of place that overshadows all that is of greater importance. We imagine a barrier, separating us from what we perceive as bad or different, which reflects an illusion that we perceive as good.
‘WICKED NURSE OF THE WEST’, 50″ x 34″ , acrylic on canvas. The same woman resting in a different chair met by the dramatic distinction of our perspective. The happenstance of where we sit on the earth, the random call of place that overshadows all that is of greater importance. We imagine a barrier, separating us from what we perceive as bad or different, which reflects an illusion that we perceive as good.
‘DERVISH 1’, 48″ x 34″, acrylic on canvas, private collection. The Dervish series celebrates women who relinquish the hold of conformity, restrictions and the forbidden to revel in the emotional and profound. Woman that celebrate the divine by embracing their own energetic complexity while emphasizing openness, acceptance and tolerance.
‘DERVISH 2’, 46″ x 30″, acrylic on canvas, private collection. The Dervish series celebrates women who relinquish the hold of conformity, restrictions and the forbidden to revel in the emotional and profound. Woman that celebrate the divine by embracing their own energetic complexity while emphasizing openness, acceptance and tolerance.
‘DERVISH 3’, 60″ x 30″, acrylic on canvas. The Dervish series celebrates women who relinquish the hold of conformity, restrictions and the forbidden to revel in the emotional and profound. Woman that celebrate the divine by embracing their own energetic complexity while emphasizing openness, acceptance and tolerance.
‘DERVISH 4’, 36″ x 24″, acrylic on canvas. The Dervish series celebrates women who relinquish the hold of conformity, restrictions and the forbidden to revel in the emotional and profound. Woman that celebrate the divine by embracing their own energetic complexity while emphasizing openness, acceptance and tolerance.
‘THE VISION’, 48″ x 26″, acrylic on canvas
‘THE PRESENCE’, 38″ x 22″, acrylic on canvas
‘THE DISTANCE’, 36″ x 30″, acrylic on canvas, private collection
‘GAZE’, triptych, each panel 54″ x 26″, acrylic on canvas, in handmade frames. Looking inward, looking outward, looking back at you looking at me.
‘SAINTLY’, 20″ x 16″, acrylic on wood panel
‘SCHOLARLY’, 20″ x 16″, acrylic on wood panel, private collection
‘EARTHLY’ 20″ x 16″ acrylic on wood panel